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The Synth-Pop Duo's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell with Marc Almond at Leeds during 1977

Dave Ball, a key member of the groundbreaking 1980s electronic music band Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the pair achieved a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a seminal work of electronic music.

He later formed the innovative electronic act The Grid, who secured popular acclaim with their 1994 single Swamp Thing.

Ball died peacefully in his rest at his residence in London on October 22, just weeks after playing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

During that show, Ball appeared in a mobility chair, as he had for the last two years, following a spate of ill-health.

"I ended up damage myself significantly," he stated in a recent interview. "I fractured lower vertebrae in my back and cracked about five ribs and broke my wrist."

Following contracting a lung infection and developing sepsis, he was placed in an induced coma and stayed in hospital for half a year.

Nevertheless, he had been in "high spirits emotionally" over the summer, as he worked on a fresh record with Almond, titled Danceteria, which is scheduled for release in the coming year.

"He was concentrated and so happy with the new album that we literally completed only a few days ago," said the singer in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an uplifting time for him, and I find comfort from the fact that he heard the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the early 1980s

Tributes

Almond described his bandmate as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Many thanks Dave for being an immense aspect of my existence and for the songs you created with me. I couldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, recalling Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is different from joining a group, the connection is very tight," he added.
"That was the case with us. We went through so many extraordinary, incredible, memorable experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in 2018

Early Life

Born into a one-parent family in the city of Chester in 1959, Ball was put up for adoption when he was a year and a half old.

He grew up in the seaside town with adoptive parents Donald and Brenda Ball, who altered his first name from Paul to his adopted name, together with his younger sister his sister, who was also adopted.

He met Almond at an art college in 1977, where they were both learning art. Fuelled by a shared love of Northern Soul, they formed Soft Cell the very year, and quickly recorded an extended play.

Creative Collaboration

The pair were an unusual combination: Ball was the reserved technician, hunched over his keyboard, while Almond was a flamboyant performer, all glitter and makeup; but they achieved a rare creative synergy.

Ball had cultivated a interest with synthesizers after watching the band Kraftwerk appear on a television science show Tomorrow's World, and started to combine dark electronica to the soaring melodies Almond was composing.

Tainted Love became the UK's second biggest-selling song of the early 80s, shifting millions of units globally. Together with successful tracks by other artists, contemporary bands and electronic acts, it helped paved the way for the electronic music style of the 1980s.

The song was also featured on their first album, Non-Stop Erotic Cabaret, which produced two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The duo were working on new material until just before Ball's death

Professional Journey

Success had its benefits. "I loved being able to purchase my initial property, having money and travelling, which makes me sound like a Miss World," Ball not long ago shared with a music magazine.

But it also caused problems. "Sudden riches allowed we could purchase newfound drugs to relieve the boredom" of media interviews and television shows, Ball explained.

"I realize that's a cliché, but it's a cliché for a good reason, because it applies for so many musicians."

During the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to create a follow-up memorable record - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They put out one more LP, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond proceeded to have a prosperous individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a long-lasting partnership.

Reunions and Final Projects

Soft Cell came back together in 2001, producing the Top 40 record Cruelty Without Beauty.

After a further break, they reappeared in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a farewell show at the O2 Arena on September 30, 2018.

However, they stayed together, creating their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately characterized the duo's upcoming release as a homage to the New York club scene they frequented while making their first two albums.

He noted that his period in medical care had shaped the group's music.

"I had strange recollections when I was in and out of the hospital because I was on pain medication," he explained to a music magazine.
"The new songs are a digital reflection of the noises in my head from those days.
"In parallel, it's about the times we got up to in the 1980s."

The last versions were completed only days before Ball passed away. It is due for release in the spring of 2026.

The writer

Robert Fernandez

A tech journalist with over a decade of experience covering Windows ecosystems and emerging technologies.

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